Lasse Nipkow made his first native 3D sound recording in mid-2010. Recordings from this time were published on the Auro 3D 2014 Demonstration Disc. At international conferences he demonstrates the essential interrelationships of applied psychoacoustics in sound recordings.

Music production for Dolby Atmos

Workshop at the AES in New York (Oct 16-19, 2019)

Immersive Sound for live events

Workshop at the ICSA in Ilmenau (Sept 26-28, 2019)

Strategies for music production in 3D

Workshops at the AES in Dublin (March 20-23, 2019)

Workshop 'Immersive Sound production'

Workshops at Studio X.1 in Cologne (April 4-7 & Nov 4-16, 2019)

Immersive Sound listening sessions

Listening sessions at the AES in New York (Oct 17-19, 2018)

The importance of 3D at Immersive Sound

Workshops at the Tonmeistertagung in Cologne (Nov 14-17, 2018)

Immersive Sound production of dance music

Workshop at the AES in Milan (May 23-26, 2018)

Modern music production for Immersive Sound

Workshop at the SAE Convention in Cologne (Oct 10-11, 2018)

Sound Design in 3D for Dance Music

Workshop at the ICSA in Graz (Sept 7-10, 2017)
Workshop at the Prolight + Sound in Frankfurt (April 12, 2018)

Sound Design in 3D for Dance Music

Workshop at the AES in New York (18. bis 21. Oct 18-21, 2017)

Multichannel 3D audio for synthesizer music with vocals

Workshop at the AES in Paris (June 4-7, 2016)

Sense of depth in 3D for Pop Music

Workshop at the Tonmeistertagung in Cologne (Nov 17-20, 2016)

Transparency of Sound in Stereo and Immersive Sound

Workshop at the ICSA in Graz (Sept 18-20, 2015)
Workshop at the Akustika in Zurich (Nov 9, 2015)

Rules to get great MCH 3D Sound for Synthesizer Music

Workshop at the AES in New York (Oct 29 - Nov 1, 2015)
Workshop at the University of Huddersfield (Nov 20, 2015)

Immersive Sound: Overview of formats and actors

Workshop at M&M Hire in Hunzenschwil (May 27, 2015)
Workshop at Gerasimov Institute of Cinematography in Moscow (Oct 20, 2015)

Immersive Sound for an impressive movie soundtrack

Workshop at the AES in Warsaw (May 7-10, 2015).

Properties of captured room signals for Immersive Sound

Workshop at the Tonmeistertagung in Cologne (Nov 22-25, 2012)
Workshop at the AES in Budapest (April 26-29, 2012)
Workshop at the NYU Steinhardt - AES New York (Oct 17-20, 2013)
Workshop at the AES in Berlin (April 26-29, 2014)
Workshop at the ICSA at Fraunhofer IIS, Erlangen (Feb 21-23, 2014)

Sense of depth in Stereo and Immersive Sound

Workshop at the AES in Los Angeles (Oct 9-12, 2014)
Workshop at the Tonmeistertagung in Cologne (Nov 20-23, 2014)

Immersive Sound (Auro 3D 9.1) recordings

3D-Audio Workshop at the NYU Steinhardt - AES New York (Oct 21-23, 2011)      

Methods to achieve natural sounding Immersive Sound

Workshop at the ICSA at the Music University Detmold, Germany (Nov 10-13, 2011)

Immersive Sound recording: Sieberspace II

Workshop at the Tonmeistertagung in Cologne (Nov 25-28, 2010)

Immersive Sound (Auro 3D) recordings

Workshop at the AES in London (May 13-16, 2011)
Workshop at the ZHdK, Composition for Film, Theatre and Media (April 20, 2011) 

Spatial recordings

Presentation at Institute of Electronic Music and Acoustics, Graz (Jan 18, 2008)
Presentation at Institute for Computer Sciences ICST, ZHdK (Feb 22, 2008)
Presentation at the University Oldenburg (June 9, 2009)                                                      

Applied psychoacoustics in surround sound recordings

Workshop at the Tonmeistertagung in Leibzig (Nov 13-16, 2008)